1 00:00:05,002 --> 00:00:06,411 Hey how you doing. 2 00:00:06,411 --> 00:00:08,401 Justin here for another ukulele lesson for you. 3 00:00:08,401 --> 00:00:11,690 and today we are checking out shape one of the 4 00:00:11,690 --> 00:00:13,190 moveable chords. 5 00:00:13,190 --> 00:00:15,990 Okay, so. Hopefully by this stage you're really hip with all of 6 00:00:15,990 --> 00:00:19,161 the open chord shapes on the uke that we've covered so far in the course. 7 00:00:19,161 --> 00:00:22,120 And now we're going to look at the chord shapes that move 8 00:00:22,120 --> 00:00:23,510 up and down the neck. 9 00:00:23,510 --> 00:00:26,200 Okay, and this particular one that we're looking at today 10 00:00:26,200 --> 00:00:27,670 I've called shape one. 11 00:00:27,670 --> 00:00:31,850 Now, the root note for that is on the first string. Okay? 12 00:00:31,850 --> 00:00:35,520 The one that start with the note A. Okay? 13 00:00:35,520 --> 00:00:40,170 So, you need to be familiar with the notes on the first string. 14 00:00:40,170 --> 00:00:43,741 Okay? Particularly the ones kind of early on from the nut, 15 00:00:43,741 --> 00:00:46,980 say the first 5/6 frets particularly. Ok? 16 00:00:46,980 --> 00:00:48,400 So let's get to a close up. 17 00:00:48,400 --> 00:00:50,670 Check out this chord and what the root note is, 18 00:00:50,670 --> 00:00:53,970 and see if we can't change the chords around a little bit. 19 00:00:54,211 --> 00:00:58,431 Okay, Here we are with the first of our moveable chord shapes ... 20 00:00:58,431 --> 00:00:59,740 for the ukulele. 21 00:00:59,740 --> 00:01:01,800 This one I call Shape One. 22 00:01:02,090 --> 00:01:04,920 We're going to start with the third finger 23 00:01:04,920 --> 00:01:07,510 on the fourth fret of the fourth string. 24 00:01:07,512 --> 00:01:11,841 Then we put the second finger down in the third fret of the third string, 25 00:01:11,841 --> 00:01:16,523 and we use our 1st finger to cover 2 strings in the 2nd fret. 26 00:01:16,523 --> 00:01:20,107 That'll be the 1st string and the 2nd string on the 2nd fret. 27 00:01:20,107 --> 00:01:23,693 Some people prefer to put the fingers down in order, so 1st finger 1st, 28 00:01:23,693 --> 00:01:27,336 doing a little mini-barré there, 2nd finger down on the 3rd fret 29 00:01:27,336 --> 00:01:31,812 of the 3rd string, 3rd finger down on the 4th fret of the 4th string. 30 00:01:31,812 --> 00:01:33,902 ♪ 31 00:01:33,902 --> 00:01:35,061 That's what it sounds like. 32 00:01:35,061 --> 00:01:36,623 ♪ 33 00:01:36,623 --> 00:01:40,219 For those of you who're curious where it comes from, if you remember our A chord, 34 00:01:40,219 --> 00:01:40,999 ♪ 35 00:01:41,001 --> 00:01:43,623 Open chord, we've re-fingered that using strings 2 and 3, 36 00:01:43,623 --> 00:01:47,285 if we move that up one fret and then our 1st finger replaces the nut, 37 00:01:47,285 --> 00:01:48,272 ♪ 38 00:01:48,272 --> 00:01:50,967 That's where we've got it! So, that's (♪) A chord, 39 00:01:50,967 --> 00:01:59,649 Up one fret from A chord would be A sharp (♪), up one more would be B (♪) 40 00:01:59,649 --> 00:02:02,938 And here is our root note. So, that was the note A. 41 00:02:02,938 --> 00:02:04,063 ♪ 42 00:02:04,063 --> 00:02:11,118 If we wanted to play a B chord, - A, A#, B - (♪) 43 00:02:11,118 --> 00:02:13,425 There's B, (♪),- B chord! 44 00:02:13,425 --> 00:02:16,473 What would it be if we move it up one more fret? (♪) 45 00:02:16,473 --> 00:02:20,091 What's this note here? (♪) 3rd fret of the thinnest string. 46 00:02:20,091 --> 00:02:26,625 That would be the note C (♪) So that would be a C chord (♪) 47 00:02:26,625 --> 00:02:29,408 We already got a C chord like that. But we can play it ( ♪) 48 00:02:29,408 --> 00:02:30,998 It's another way of playing a C chord now, 49 00:02:31,009 --> 00:02:33,574 so, we could do that (♪), way, or that way (♪) 50 00:02:33,574 --> 00:02:36,899 Same chord. You can hear it sounds slightly different, but it's essentially 51 00:02:36,899 --> 00:02:44,615 the same chord. Anyone figure out where we'd put it if we wanted to play a D# chord? 52 00:02:44,615 --> 00:02:52,761 Think about it! So, we had an A there, A#, B, C, C#, D, D# 53 00:02:52,761 --> 00:02:59,715 Right up on the 6th fret (♪) That's how we'd get our D# chord (♪) 54 00:02:59,715 --> 00:03:01,040 Okay, so, make sure you get that! 55 00:03:01,040 --> 00:03:07,883 So we've got A,- would be the open chord,- up one, A sharp/B flat, up another one B. 56 00:03:07,883 --> 00:03:16,523 C, C sharp/D flat, D, D sharp/E flat, E. 57 00:03:16,523 --> 00:03:20,717 Okay, so it's a moveable chord shape. 58 00:03:20,717 --> 00:03:23,712 Very-very cool little idea, you'll learn lots of different chords this way. 59 00:03:23,712 --> 00:03:28,836 So, it get's cooler. 'cause that's the major chord, ok? If I move it back to B. 60 00:03:28,836 --> 00:03:30,903 So, 1st finger's in the 2nd fret. 61 00:03:30,903 --> 00:03:31,878 ♪ 62 00:03:31,878 --> 00:03:35,464 That's the major chord. If we take off the 2nd finger, 63 00:03:35,464 --> 00:03:37,899 and move the bar over, so it's covering now 64 00:03:37,899 --> 00:03:43,114 3 strings, so we've got: 4th fret, 2nd fret, 2nd fret, 2nd fret. 65 00:03:43,114 --> 00:03:46,849 Now I'm kind of moving my 2nd finger other way, so you can see, I'd normally 66 00:03:46,849 --> 00:03:53,877 just leave it hanging around. Okay, so 4th fret, 2nd, 2nd, 2nd 67 00:03:53,877 --> 00:03:57,025 That would be a B minor chord. 68 00:03:57,025 --> 00:04:02,355 Ok? So, major..minor...ok? 69 00:04:02,355 --> 00:04:04,298 Now, the same idea just moves around. 70 00:04:04,298 --> 00:04:08,914 So, if we wanted to say, take it up to a D chord at the 5th fret, 71 00:04:08,914 --> 00:04:13,878 that'll be a D major chord. That'll be a D minor. 72 00:04:13,878 --> 00:04:19,110 Ok? Major...minor...major...minor... 73 00:04:19,110 --> 00:04:24,120 Ok? So, if I wanted you to play a B flat minor chord, you'd start with A, 74 00:04:24,130 --> 00:04:29,270 find the root note first, so that'd be A, A#/ B flat,- ok, there's the root note, 75 00:04:29,275 --> 00:04:32,016 now, we know, that was the major shape, oh, there's the minor shape! 76 00:04:32,016 --> 00:04:34,296 There's B flat minor (♪) 77 00:04:34,298 --> 00:04:37,881 What, if we wanted to play a D flat minor? 78 00:04:37,881 --> 00:04:46,597 Ok, 1st of all, you find where the D is, so, A, A sharp, B, C, C sharp, D, 79 00:04:46,597 --> 00:04:52,164 Then we want a D flat,- we said, D flat minor, so, D, flat, we put down the shape 80 00:04:52,164 --> 00:04:57,707 and we want D flat minor. So, we'd use that shape (♪) - Ok? 81 00:04:57,707 --> 00:05:00,114 If you're really clever, you could 've gone straight to the D flat, there, and then 82 00:05:00,114 --> 00:05:05,334 put down the minor grip - ok? So, a really good exercise is to try 83 00:05:05,334 --> 00:05:11,001 playing a few songs, just using these shapes. See, if you can find some tunes that 84 00:05:11,001 --> 00:05:19,346 are just using these (♪) 85 00:05:19,346 --> 00:05:22,355 Ok? there's all sorts of different little things that you can find that're just using 86 00:05:22,355 --> 00:05:25,286 these one-shape kinda grips moving around. 87 00:05:25,286 --> 00:05:29,048 Ok, so, we've looked at major, and minor, 88 00:05:29,048 --> 00:05:33,327 There's also another really cool one which is dominant 7 (♪) 89 00:05:33,327 --> 00:05:38,295 Ok? So, we're just barring the whole neck now. Ok? So, this is more like a proper barré chord 90 00:05:38,295 --> 00:05:42,535 that we'd have on guitar; covering all 4 strings with the 1st finger, 91 00:05:42,535 --> 00:05:47,857 and then we add the 2nd finger in the 3rd fret of the 3rd string. 92 00:05:47,857 --> 00:05:49,267 ♪ 93 00:05:49,267 --> 00:05:51,533 2-3-2-2 94 00:05:51,533 --> 00:05:54,082 Root note's still here, this would be a B7. 95 00:05:54,082 --> 00:05:58,143 ♪ 96 00:05:58,143 --> 00:06:03,893 If we wanted a D7: ok, find B, C, C sharp, D. 97 00:06:03,893 --> 00:06:04,835 Put the shape down! 98 00:06:04,835 --> 00:06:07,342 ♪ 99 00:06:07,342 --> 00:06:10,033 Ok? it's really important that you get used to this idea of finding 100 00:06:10,033 --> 00:06:14,393 the root note on the thinnest string and then putting down the appropriate shape. 101 00:06:14,403 --> 00:06:18,123 Either major, minor, or 7. 102 00:06:19,703 --> 00:06:22,943 It's very likely, that learning these moveable shapes on the uke are 103 00:06:22,943 --> 00:06:26,213 a little bit more challenging then the regular open chords and require 104 00:06:26,216 --> 00:06:29,079 a little bit more finger strength, but it's just practice! 105 00:06:29,079 --> 00:06:32,998 Particularly on ukulele, the fact that strings are nice and soft and you don't 106 00:06:32,998 --> 00:06:36,516 usually have to press'em down too hard, should make it relatively easy. 107 00:06:36,516 --> 00:06:39,213 It's definitely not as difficult as learning barré chords on the guitar. 108 00:06:39,213 --> 00:06:42,973 The big deal is, making sure that you know those root notes. 'Cause without knowing the 109 00:06:42,975 --> 00:06:45,023 root notes, the notes on that thinnest string, 110 00:06:45,023 --> 00:06:47,524 you're not gonna be able to use these shapes. 111 00:06:47,524 --> 00:06:51,338 But what this has done, in case you hadn't realised,- is given you a whole lotta chords. 112 00:06:51,338 --> 00:06:56,407 You've got 3 chords on each different fret that you know know, a maj. chord, a min.chord 113 00:06:56,407 --> 00:07:00,057 and a dominant 7th on every fret, all the way up, as far as you can get 114 00:07:00,060 --> 00:07:03,443 your fingers still in the frets - ok? That's a whole lot of chords. 115 00:07:03,443 --> 00:07:07,613 I don't know exactly how many, but a LOT. Depends on, I guess, how far up the neck 116 00:07:07,613 --> 00:07:10,738 you feel like you can get to. But this gives you access now to 117 00:07:10,738 --> 00:07:16,318 all of those chords that you couldn't play before. if you see C#min. or E flat7 118 00:07:16,320 --> 00:07:19,149 or whatever, these kind of chords that you might not have been able to play in an 119 00:07:19,149 --> 00:07:22,359 open position, you can now play them using this shape one. 120 00:07:22,359 --> 00:07:26,281 There's five shapes alltogether. But this particular shape is the one that 121 00:07:26,281 --> 00:07:30,372 I recommend you spend quite a bit of time with first-ok? And it's got that root note 122 00:07:30,372 --> 00:07:33,618 on the thinnest string, which is in some instances is the easiest string 123 00:07:33,618 --> 00:07:38,124 to remember the note names of - ok? So, get to grips with that solidly first, 124 00:07:38,124 --> 00:07:41,120 before you even think about learning more shapes, but when you're ready, 125 00:07:41,120 --> 00:07:43,655 join me for the next one, and we're gonna be looking at Shape Two! 126 00:07:43,655 --> 00:07:45,275 Take care of yourselves! Bye-bye!