[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:06.31,0:00:08.60,Default,,0000,0000,0000,,Hello, Justin here again. Dialogue: 0,0:00:08.60,0:00:10.62,Default,,0000,0000,0000,,In this lesson we're\Ngonna be checking out Dialogue: 0,0:00:10.62,0:00:13.37,Default,,0000,0000,0000,,how to add vibrato to a bend. Dialogue: 0,0:00:13.37,0:00:16.09,Default,,0000,0000,0000,,Lots and lots of people\Nseem to struggle with this. Dialogue: 0,0:00:16.09,0:00:19.50,Default,,0000,0000,0000,,It's actually relatively simple,\Nwhen you know the trick. Dialogue: 0,0:00:19.50,0:00:22.32,Default,,0000,0000,0000,,And the trick is:\NTo let the string do the work. Dialogue: 0,0:00:22.32,0:00:24.62,Default,,0000,0000,0000,,Now, what I mean by this is... Dialogue: 0,0:00:24.62,0:00:27.37,Default,,0000,0000,0000,,In all of my bending stuff\NI have been using this note D. Dialogue: 0,0:00:27.37,0:00:28.93,Default,,0000,0000,0000,,So, I am going to stay on that. Dialogue: 0,0:00:28.93,0:00:34.04,Default,,0000,0000,0000,,That's... Third finger,\Nthird string, seventh fret. Dialogue: 0,0:00:34.04,0:00:36.18,Default,,0000,0000,0000,,Once you've got a bend... going, Dialogue: 0,0:00:36.18,0:00:39.76,Default,,0000,0000,0000,,and I am going to be using\Na tone bend for this little exercise now. Dialogue: 0,0:00:39.76,0:00:41.86,Default,,0000,0000,0000,,There's a lot of pressure on the string,\N Dialogue: 0,0:00:41.86,0:00:44.76,Default,,0000,0000,0000,,trying to push the string\Nback down to its natural place. Dialogue: 0,0:00:44.76,0:00:48.46,Default,,0000,0000,0000,,You are having to use quite a lot\Nof effort to get that note bent up, Dialogue: 0,0:00:48.46,0:00:51.32,Default,,0000,0000,0000,,making sure that you are using\Na good bending technique here. Dialogue: 0,0:00:51.32,0:00:53.64,Default,,0000,0000,0000,,If you haven't got it already, Dialogue: 0,0:00:53.64,0:00:55.54,Default,,0000,0000,0000,,you will not be able\Nto put the vibrato. Dialogue: 0,0:00:55.54,0:00:57.96,Default,,0000,0000,0000,,If you're trying to do it\Nwith your fingers straight Dialogue: 0,0:00:57.96,0:01:00.21,Default,,0000,0000,0000,,without the thumb over\Nand using the pivot point Dialogue: 0,0:01:00.21,0:01:03.48,Default,,0000,0000,0000,,you're probably not going to be\Nable to do a good bend with vibrato Dialogue: 0,0:01:03.48,0:01:07.62,Default,,0000,0000,0000,,So... If you're one of those guys,\Ngo back and learn to bend properly first, Dialogue: 0,0:01:07.62,0:01:10.05,Default,,0000,0000,0000,,and then come back\Nand have a look at this lesson. Dialogue: 0,0:01:10.05,0:01:13.01,Default,,0000,0000,0000,,So... As you bend up,\Nyou've got all of this pressure, Dialogue: 0,0:01:13.01,0:01:14.59,Default,,0000,0000,0000,,the string pressing down. Dialogue: 0,0:01:14.59,0:01:17.48,Default,,0000,0000,0000,,Now, the trick with\Nadding vibrato to a bend Dialogue: 0,0:01:17.48,0:01:21.70,Default,,0000,0000,0000,,is to first of all make sure\Nthat you get the bend in tune and stop. Dialogue: 0,0:01:21.70,0:01:24.52,Default,,0000,0000,0000,,If you watch my other vibrato series, Dialogue: 0,0:01:24.52,0:01:26.82,Default,,0000,0000,0000,,you'll notice that I talk about\Nhitting the note, Dialogue: 0,0:01:26.82,0:01:28.96,Default,,0000,0000,0000,,and then gradually opening up the vibrato. Dialogue: 0,0:01:28.96,0:01:31.23,Default,,0000,0000,0000,,And this is quite important\Nwith a bend as well, Dialogue: 0,0:01:31.23,0:01:35.01,Default,,0000,0000,0000,,because you need to get the bend in tune\Nbefore you get the vibrato on, Dialogue: 0,0:01:35.01,0:01:37.05,Default,,0000,0000,0000,,otherwise it can sound to the listener... Dialogue: 0,0:01:37.05,0:01:40.57,Default,,0000,0000,0000,,that you never actually reached the note\Nthat you were trying to bend to. Dialogue: 0,0:01:40.57,0:01:43.48,Default,,0000,0000,0000,,So, you bend up to the note first,\Nthen what you do is: Dialogue: 0,0:01:43.48,0:01:46.52,Default,,0000,0000,0000,,You relax your fingers ever so slightly,\Nrelax the pressure.... Dialogue: 0,0:01:46.52,0:01:50.49,Default,,0000,0000,0000,,Let the force of the string\Npush your finger down a little bit, Dialogue: 0,0:01:50.49,0:01:52.12,Default,,0000,0000,0000,,and then press it back up. Dialogue: 0,0:01:52.12,0:01:54.48,Default,,0000,0000,0000,,And it's worth doing this\Nreally slowly first. Dialogue: 0,0:01:54.48,0:01:57.92,Default,,0000,0000,0000,,So, we are going to go to a close up,\Nand just going to bend the note up, Dialogue: 0,0:01:57.92,0:02:00.79,Default,,0000,0000,0000,,and then relax my finger a little bit\Nso it comes right down, Dialogue: 0,0:02:00.79,0:02:02.98,Default,,0000,0000,0000,,and then push it back up\Nto the correct pitch, Dialogue: 0,0:02:02.98,0:02:05.70,Default,,0000,0000,0000,,let it come down a bit\Nand back up to the correct pitch. Dialogue: 0,0:02:05.70,0:02:08.85,Default,,0000,0000,0000,,Each time you are just going from here,\Nlet it come down, back up, Dialogue: 0,0:02:08.85,0:02:09.85,Default,,0000,0000,0000,,come down, back up. Dialogue: 0,0:02:09.85,0:02:12.36,Default,,0000,0000,0000,,And you don't try and pull the string down Dialogue: 0,0:02:12.36,0:02:15.78,Default,,0000,0000,0000,,you just let the string\Nkind of go back to where it wants to go. Dialogue: 0,0:02:15.78,0:02:19.16,Default,,0000,0000,0000,,Don't fight the pressure of the string,\Njust relax it, push it back up, Dialogue: 0,0:02:19.16,0:02:22.21,Default,,0000,0000,0000,,relax it, push it back up,\Nrelax it, push it back up. Dialogue: 0,0:02:22.21,0:02:24.68,Default,,0000,0000,0000,,And if you can get used\Nto doing that nice and slowly Dialogue: 0,0:02:24.68,0:02:27.40,Default,,0000,0000,0000,,and you get the feel for it,\Nthen starting to do it faster Dialogue: 0,0:02:27.40,0:02:28.42,Default,,0000,0000,0000,,becomes a lot easier.\N Dialogue: 0,0:02:28.42,0:02:30.82,Default,,0000,0000,0000,,So, let's go and have a look\Nat a close up of this, Dialogue: 0,0:02:30.82,0:02:33.78,Default,,0000,0000,0000,,and... Hopefully it will sort\Nyour bending vibrato out. Dialogue: 0,0:02:34.98,0:02:35.98,Default,,0000,0000,0000,,So, here we go, Dialogue: 0,0:02:35.98,0:02:38.10,Default,,0000,0000,0000,,we're starting with\Nour regular note here, Dialogue: 0,0:02:38.10,0:02:41.78,Default,,0000,0000,0000,,which is the note D: Seventh fret,\Nthird string, third finger. Dialogue: 0,0:02:41.78,0:02:44.26,Default,,0000,0000,0000,,Now, we are going to start\Nby bending that up a tone. Dialogue: 0,0:02:44.26,0:02:47.61,Default,,0000,0000,0000,,So, if you are not sure about\Nyour bending technique anyway, Dialogue: 0,0:02:47.61,0:02:49.62,Default,,0000,0000,0000,,you might want to check it just first,\N Dialogue: 0,0:02:49.62,0:02:53.25,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:02:53.25,0:02:55.91,Default,,0000,0000,0000,,Make sure you can get that nicely in pitch Dialogue: 0,0:02:55.91,0:02:58.57,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:02:58.57,0:03:02.16,Default,,0000,0000,0000,,Now once you've got the bend up like this,\Nwhat you are going to try and do Dialogue: 0,0:03:02.16,0:03:05.50,Default,,0000,0000,0000,,is let the string\Npush your finger down a little bit, Dialogue: 0,0:03:05.50,0:03:08.28,Default,,0000,0000,0000,,and then push it back up\Nto the same pitch. Dialogue: 0,0:03:08.28,0:03:11.62,Default,,0000,0000,0000,,Let the string go back to where it wants\Nand then push it back up. Dialogue: 0,0:03:11.62,0:03:13.81,Default,,0000,0000,0000,,Now I'm just going\Nto do that nice and slow... Dialogue: 0,0:03:13.81,0:03:18.37,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:03:18.37,0:03:22.24,Default,,0000,0000,0000,,Relax, push it back up,\Nrelax, push it back up, Dialogue: 0,0:03:22.24,0:03:24.19,Default,,0000,0000,0000,,relax, push it back up. Dialogue: 0,0:03:24.19,0:03:26.56,Default,,0000,0000,0000,,You're not relaxing it\Nright back to the beginning, Dialogue: 0,0:03:26.56,0:03:29.83,Default,,0000,0000,0000,,right down to the base,\Nyou're just relaxing it a little bit. Dialogue: 0,0:03:29.83,0:03:34.58,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:03:34.58,0:03:40.23,Default,,0000,0000,0000,,Trying to get a consistent amount of...\NRelaxation and pressing it back up, Dialogue: 0,0:03:40.23,0:03:43.10,Default,,0000,0000,0000,,and trying to get it right back\Nto the same pitch each time. Dialogue: 0,0:03:43.10,0:03:50.24,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:03:50.24,0:03:52.88,Default,,0000,0000,0000,,And once you've got that down,\Nyou've got that feeling. Dialogue: 0,0:03:52.88,0:03:56.28,Default,,0000,0000,0000,,So practice that for a bit first,\Nif you're new to bending with vibrato, Dialogue: 0,0:03:56.28,0:03:59.70,Default,,0000,0000,0000,,you want to give that a week or two\Nof practice, five-ten minutes a day. Dialogue: 0,0:03:59.70,0:04:00.96,Default,,0000,0000,0000,,Once you've got that idea,\N Dialogue: 0,0:04:00.96,0:04:04.68,Default,,0000,0000,0000,,then you can start experimenting with\Nthe intensity or the speed of the vibrato Dialogue: 0,0:04:04.68,0:04:07.40,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:07.40,0:04:09.88,Default,,0000,0000,0000,,You can see the neck is\Nwobbling around a little bit. Dialogue: 0,0:04:09.88,0:04:12.53,Default,,0000,0000,0000,,Still keeping my good grip\Nand my pivot point Dialogue: 0,0:04:12.53,0:04:14.31,Default,,0000,0000,0000,,like we did for the bend\N Dialogue: 0,0:04:14.31,0:04:16.69,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:16.69,0:04:18.02,Default,,0000,0000,0000,,Or a bit slower... Dialogue: 0,0:04:18.02,0:04:22.78,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:22.78,0:04:25.72,Default,,0000,0000,0000,,You can get really crazy with this stuff. Dialogue: 0,0:04:25.72,0:04:29.66,Default,,0000,0000,0000,,A nice trick is bending it up, back down,\Nback up and then putting a vibrato Dialogue: 0,0:04:29.66,0:04:34.98,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:34.98,0:04:37.26,Default,,0000,0000,0000,,Takes quite a lot of control.\NGet the note up... Dialogue: 0,0:04:37.26,0:04:39.74,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:39.74,0:04:42.65,Default,,0000,0000,0000,,A little bit sharp that time for me,\Nactually a bit naughty, Dialogue: 0,0:04:42.65,0:04:45.38,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:45.38,0:04:47.59,Default,,0000,0000,0000,,... Then getting your vibrato good Dialogue: 0,0:04:47.59,0:04:48.84,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:48.84,0:04:52.70,Default,,0000,0000,0000,,Slow\N(Plays) Dialogue: 0,0:04:52.70,0:04:54.60,Default,,0000,0000,0000,,Faster\N(Plays) Dialogue: 0,0:04:54.60,0:04:57.49,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:04:57.49,0:05:00.82,Default,,0000,0000,0000,,Quite a tricky one to get the vibrato\Nhappening all of the way down. Dialogue: 0,0:05:00.82,0:05:04.18,Default,,0000,0000,0000,,But, again, experiment,\Njust like I talked about before. Dialogue: 0,0:05:04.18,0:05:08.18,Default,,0000,0000,0000,,Emulation, experimentation, and ease. Dialogue: 0,0:05:08.18,0:05:10.36,Default,,0000,0000,0000,,Emulating people's bends, that you like... Dialogue: 0,0:05:10.36,0:05:13.20,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:05:13.20,0:05:15.32,Default,,0000,0000,0000,,Nice tip there,\Nyou can do that sort of stuff Dialogue: 0,0:05:15.32,0:05:17.02,Default,,0000,0000,0000,,There's a lot of things you can do. Dialogue: 0,0:05:17.02,0:05:19.08,Default,,0000,0000,0000,,Experimenting,\Nlike I was just trying to do Dialogue: 0,0:05:19.08,0:05:21.96,Default,,0000,0000,0000,,trying to get the vibrato\Nto happen all the way down the note Dialogue: 0,0:05:21.96,0:05:26.12,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:05:26.12,0:05:29.41,Default,,0000,0000,0000,,You can go crazy with these things...\NIt's quite good fun. Dialogue: 0,0:05:29.41,0:05:32.67,Default,,0000,0000,0000,,Remember, it has to be easy,\Nbut if you've got your bending technique Dialogue: 0,0:05:32.67,0:05:35.12,Default,,0000,0000,0000,,and you've got your pivot point\Nand your thumb over, Dialogue: 0,0:05:35.12,0:05:38.06,Default,,0000,0000,0000,,then you shouldn't find it\Ntoo difficult at all. Dialogue: 0,0:05:38.18,0:05:41.85,Default,,0000,0000,0000,,Now, the other kind of things\Nthat you need to know about this one. Dialogue: 0,0:05:41.85,0:05:44.82,Default,,0000,0000,0000,,First of all, if you're going to do\Nany of these sort of stuff Dialogue: 0,0:05:44.82,0:05:47.69,Default,,0000,0000,0000,,with the first finger,\Nthen you tend to pull down with that. Dialogue: 0,0:05:47.69,0:05:50.23,Default,,0000,0000,0000,,Pushing up with your first finger\Nis pretty difficult, Dialogue: 0,0:05:50.23,0:05:51.90,Default,,0000,0000,0000,,so you tend to...\N Dialogue: 0,0:05:51.90,0:05:53.69,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:05:53.69,0:05:56.06,Default,,0000,0000,0000,,So, this time you're\Npulling the string down Dialogue: 0,0:05:56.06,0:05:58.28,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:05:58.28,0:06:02.21,Default,,0000,0000,0000,,And, again, letting the string\Nrelax back to where it wants to go, Dialogue: 0,0:06:02.21,0:06:05.71,Default,,0000,0000,0000,,which in this case is physically up,\Nand then pushing it back again... Dialogue: 0,0:06:05.71,0:06:11.57,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:06:11.57,0:06:15.10,Default,,0000,0000,0000,,And of course, the same would apply\Nif you were doing a big bend like on... Dialogue: 0,0:06:15.10,0:06:18.84,Default,,0000,0000,0000,,You know, quite low down...\NIf you are bending this here, Dialogue: 0,0:06:18.84,0:06:22.62,Default,,0000,0000,0000,,this note D, which is fifth fret,\Nfifth string, third finger, up to E Dialogue: 0,0:06:22.62,0:06:24.12,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:06:24.12,0:06:27.30,Default,,0000,0000,0000,,You have to be... Relax,\Npush it back, relax, push it back... Dialogue: 0,0:06:27.30,0:06:37.83,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:06:37.83,0:06:40.96,Default,,0000,0000,0000,,It's quite a good trick\Nto remember on those thicker strings. Dialogue: 0,0:06:40.96,0:06:45.34,Default,,0000,0000,0000,,You're not likely to do that a lot,\Nso you don't have to practice that. Dialogue: 0,0:06:45.34,0:06:47.91,Default,,0000,0000,0000,,You don't have to practice it as much. Dialogue: 0,0:06:47.91,0:06:50.60,Default,,0000,0000,0000,,The ones I'd practice,\Nis definitely your third finger, Dialogue: 0,0:06:50.60,0:06:53.17,Default,,0000,0000,0000,,I don't even bother practicing it\Nwith my little finger Dialogue: 0,0:06:53.17,0:06:57.62,Default,,0000,0000,0000,,because I don't really think that works,\Nand I don't know of any pro guitar players Dialogue: 0,0:06:57.62,0:07:00.91,Default,,0000,0000,0000,,that do a lot of bending\Nwith the little finger... Dialogue: 0,0:07:00.91,0:07:04.32,Default,,0000,0000,0000,,Might be a couple of the rock guys,\Nbut very, very, very few of them. Dialogue: 0,0:07:04.32,0:07:06.14,Default,,0000,0000,0000,,So, I wouldn't worry about doing that. Dialogue: 0,0:07:06.14,0:07:08.45,Default,,0000,0000,0000,,Very rare to bend\Nwith the second finger as well; Dialogue: 0,0:07:08.45,0:07:10.52,Default,,0000,0000,0000,,it's possible,\NClapton does it a little bit. Dialogue: 0,0:07:10.52,0:07:12.33,Default,,0000,0000,0000,,You might want to practice doing that. Dialogue: 0,0:07:12.33,0:07:14.58,Default,,0000,0000,0000,,I don't usually do bends\Nwith the second finger. Dialogue: 0,0:07:14.58,0:07:17.59,Default,,0000,0000,0000,,So, if you're using your first finger,\Nyou're going to pull down Dialogue: 0,0:07:17.59,0:07:19.16,Default,,0000,0000,0000,,and then add your vibrato. Dialogue: 0,0:07:19.16,0:07:23.40,Default,,0000,0000,0000,,Most common bending with the third finger.\NIf you're new to this sort of stuff, Dialogue: 0,0:07:23.40,0:07:27.14,Default,,0000,0000,0000,,I would just recommned practicing\Ngetting your bend with the third finger... Dialogue: 0,0:07:27.14,0:07:30.02,Default,,0000,0000,0000,,(Plays) Dialogue: 0,0:07:30.02,0:07:32.24,Default,,0000,0000,0000,,And then let it relax and push it back up.\N Dialogue: 0,0:07:32.24,0:07:35.86,Default,,0000,0000,0000,,Make sure you practice\Nall the parts of the guitar neck as well. Dialogue: 0,0:07:37.43,0:07:42.06,Default,,0000,0000,0000,,So, that's giving you a bit of a look\Nat how to apply vibrato to a bend. Dialogue: 0,0:07:42.06,0:07:45.70,Default,,0000,0000,0000,,Of course, the same rules apply that\Nwe talked about with the basic vibrato, Dialogue: 0,0:07:45.70,0:07:48.49,Default,,0000,0000,0000,,making sure that you practice it\Nall around the neck, Dialogue: 0,0:07:48.49,0:07:51.73,Default,,0000,0000,0000,,because in each different part\Nit's going to feel a little different. Dialogue: 0,0:07:51.73,0:07:55.03,Default,,0000,0000,0000,,So, you don't want to just\Ntry it in the one spot; practice it a lot. Dialogue: 0,0:07:55.03,0:07:58.31,Default,,0000,0000,0000,,As you're practicing it, try and\Nget it right in the one place first, Dialogue: 0,0:07:58.31,0:08:00.72,Default,,0000,0000,0000,,so you get the right feeling.\NAnd then be moving it Dialogue: 0,0:08:00.72,0:08:02.41,Default,,0000,0000,0000,,right up, as far up as you can go, Dialogue: 0,0:08:02.41,0:08:05.69,Default,,0000,0000,0000,,and down as low as you can go,\Nwhich is probably second or third fret, Dialogue: 0,0:08:05.69,0:08:08.48,Default,,0000,0000,0000,,you're not probably going to\Ndo big bends in the first fret Dialogue: 0,0:08:08.48,0:08:12.58,Default,,0000,0000,0000,,unless you have fingers of steel or you're\NStevie Ray Vaughan or something like that. Dialogue: 0,0:08:12.58,0:08:17.13,Default,,0000,0000,0000,,So... I think that's probably enough\Nfor you to get going on that... Dialogue: 0,0:08:17.13,0:08:20.02,Default,,0000,0000,0000,,If you've got any questions,\Ncheck out the forum, Dialogue: 0,0:08:20.02,0:08:23.23,Default,,0000,0000,0000,,look for the TE-009 area of the forum,\N Dialogue: 0,0:08:23.23,0:08:25.37,Default,,0000,0000,0000,,and we'll get your questions\Nanswered there. Dialogue: 0,0:08:25.37,0:08:28.15,Default,,0000,0000,0000,,I hope that helps, and...\NSee you again soon. Dialogue: 0,0:08:28.15,0:08:30.41,Default,,0000,0000,0000,,Bye bye