[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:11.39,0:00:15.63,Default,,0000,0000,0000,,Hi, how ya doin'? Justin here. \NWelcome to IM-159.
Dialogue: 0,0:00:15.63,0:00:19.86,Default,,0000,0000,0000,,Which is the Practice Routine for Foundation 5.
Dialogue: 0,0:00:19.86,0:00:23.68,Default,,0000,0000,0000,,What we've got here is 5 minutes of your Triad practice.
Dialogue: 0,0:00:23.68,0:00:26.81,Default,,0000,0000,0000,,Which is making sure you memorize where the triads are,
Dialogue: 0,0:00:26.81,0:00:30.85,Default,,0000,0000,0000,,where the root notes are, \Nand working out the string groupings 2,3,4
Dialogue: 0,0:00:30.85,0:00:34.85,Default,,0000,0000,0000,,and the minors on 2,3,4 and then practicing them.
Dialogue: 0,0:00:34.85,0:00:38.09,Default,,0000,0000,0000,,Then you've got 5 minutes on your triad chord changes
Dialogue: 0,0:00:38.09,0:00:40.31,Default,,0000,0000,0000,,so bouncing around, up and down the neck,
Dialogue: 0,0:00:40.31,0:00:42.99,Default,,0000,0000,0000,,trying to get those triad shapes as fast as you can,
Dialogue: 0,0:00:42.99,0:00:45.92,Default,,0000,0000,0000,,making sure that you remember \Nwhat string the root note's on
Dialogue: 0,0:00:45.92,0:00:51.17,Default,,0000,0000,0000,,and remembering to look at the root note \Nbefore you try and change to the chord.
Dialogue: 0,0:00:51.17,0:00:55.22,Default,,0000,0000,0000,,That's the trick for being able to do these kind of \Njumping all over the neck kind of changes.
Dialogue: 0,0:00:55.22,0:00:59.50,Default,,0000,0000,0000,,We've then got 5 minutes of our usual Major Scale \Nwith the metronome.
Dialogue: 0,0:00:59.50,0:01:02.42,Default,,0000,0000,0000,,Hopefully you're getting the speed up \Na little bit more now.
Dialogue: 0,0:01:02.42,0:01:05.37,Default,,0000,0000,0000,,You should be feeling really confident \Nwith your alternate picking,
Dialogue: 0,0:01:05.37,0:01:08.19,Default,,0000,0000,0000,,and really, you know, \Njust working on the speed, that's it.
Dialogue: 0,0:01:08.19,0:01:12.83,Default,,0000,0000,0000,,Remember the speed, the point of the speed rather, \Nis to synchronize the two hands,
Dialogue: 0,0:01:12.83,0:01:15.38,Default,,0000,0000,0000,,that's the real reason that we're doing that stuff,
Dialogue: 0,0:01:15.38,0:01:17.65,Default,,0000,0000,0000,,it's not really about you playing the scale fast.
Dialogue: 0,0:01:17.65,0:01:20.16,Default,,0000,0000,0000,,It's about getting a good co-ordination \Nbetween the two hands.
Dialogue: 0,0:01:20.16,0:01:23.95,Default,,0000,0000,0000,,We've then got 5 minutes of Major Scale improvising,
Dialogue: 0,0:01:23.95,0:01:28.76,Default,,0000,0000,0000,,so I'm really hoping that you're letting your ear control \Nthe way that you play now,
Dialogue: 0,0:01:28.76,0:01:31.64,Default,,0000,0000,0000,,so not just relying on muscle memory,\N
Dialogue: 0,0:01:31.64,0:01:34.37,Default,,0000,0000,0000,,you're hopefully incorporating your one finger solos,
Dialogue: 0,0:01:34.37,0:01:38.37,Default,,0000,0000,0000,,and a bit of that melodic patterns, \Nbut still letting your ear be the boss.
Dialogue: 0,0:01:38.37,0:01:43.69,Default,,0000,0000,0000,,Next up we got 10 minutes of the J.U.S.T.I.N. Training,
Dialogue: 0,0:01:43.69,0:01:46.69,Default,,0000,0000,0000,,and/or transcribing songs on your own.
Dialogue: 0,0:01:46.69,0:01:50.70,Default,,0000,0000,0000,,I'm really hoping at this stage,\Nthat you're doing plenty of your own transcribing,
Dialogue: 0,0:01:50.70,0:01:53.63,Default,,0000,0000,0000,,because that is the key \Nto becoming a good guitar player.
Dialogue: 0,0:01:53.63,0:01:56.24,Default,,0000,0000,0000,,I can't emphasise it to you strongly enough.
Dialogue: 0,0:01:56.24,0:02:00.57,Default,,0000,0000,0000,,Learning songs on your own \Nis the thing that will make you good.
Dialogue: 0,0:02:00.57,0:02:02.13,Default,,0000,0000,0000,,And a failure to do that,
Dialogue: 0,0:02:02.13,0:02:05.15,Default,,0000,0000,0000,,to ignore my advice and not do any transcribing,
Dialogue: 0,0:02:05.15,0:02:09.62,Default,,0000,0000,0000,,means that you probably won't ever become \Na really confident guitar player.
Dialogue: 0,0:02:09.62,0:02:11.76,Default,,0000,0000,0000,,You might be able to kinda play the notes,
Dialogue: 0,0:02:11.76,0:02:13.85,Default,,0000,0000,0000,,you'll be able to play some songs,
Dialogue: 0,0:02:13.85,0:02:16.55,Default,,0000,0000,0000,,but there'll be always that thing missing.
Dialogue: 0,0:02:16.55,0:02:18.56,Default,,0000,0000,0000,,Lotsa times I meet guitar players
Dialogue: 0,0:02:18.56,0:02:19.97,Default,,0000,0000,0000,,and they come for a lesson, they go
Dialogue: 0,0:02:19.97,0:02:22.63,Default,,0000,0000,0000,,well I can do this, and I can do this, \Nbut there's something missing.
Dialogue: 0,0:02:22.63,0:02:24.06,Default,,0000,0000,0000,,And nine times out of ten,
Dialogue: 0,0:02:24.06,0:02:27.51,Default,,0000,0000,0000,,the something missing is that \Nthey haven't been doing any transcribing.
Dialogue: 0,0:02:28.17,0:02:30.27,Default,,0000,0000,0000,,The second half hour we've got,
Dialogue: 0,0:02:30.27,0:02:33.60,Default,,0000,0000,0000,,we've got 5 minutes of picked fingerstyle practice.
Dialogue: 0,0:02:33.60,0:02:36.68,Default,,0000,0000,0000,,So, either making up \Nyour own pattern and practicing that.
Dialogue: 0,0:02:36.68,0:02:39.47,Default,,0000,0000,0000,,Or, working on that set pattern that I showed you \N
Dialogue: 0,0:02:39.47,0:02:42.29,Default,,0000,0000,0000,,and/or trying to incorporate it into some tunes,
Dialogue: 0,0:02:42.29,0:02:45.27,Default,,0000,0000,0000,,working on kind of making it a strumming pattern, \N
Dialogue: 0,0:02:45.27,0:02:47.69,Default,,0000,0000,0000,,but being able to pick out notes individually.
Dialogue: 0,0:02:47.69,0:02:49.98,Default,,0000,0000,0000,,We've got 5 minutes of legato practice.
Dialogue: 0,0:02:49.98,0:02:54.80,Default,,0000,0000,0000,,If you're new to legato, \Nthat'll be doing hammer-ons and flickoffs individually.
Dialogue: 0,0:02:54.80,0:02:56.73,Default,,0000,0000,0000,,If you're cool with that, then,
Dialogue: 0,0:02:56.73,0:03:00.41,Default,,0000,0000,0000,,its incorporating it into the Minor Pentatonic \Nand the Major Scale,
Dialogue: 0,0:03:00.41,0:03:03.60,Default,,0000,0000,0000,,using legato technique, \Nthat is the hammer-ons and the flickoffs,
Dialogue: 0,0:03:03.60,0:03:05.36,Default,,0000,0000,0000,,to play the scales up and down,
Dialogue: 0,0:03:05.36,0:03:06.95,Default,,0000,0000,0000,,if you're confident with that,
Dialogue: 0,0:03:06.95,0:03:09.56,Default,,0000,0000,0000,,you might want to start using some melodic patterns
Dialogue: 0,0:03:09.56,0:03:12.76,Default,,0000,0000,0000,,and making sure you incorporate \Nthe legato techniques into that.
Dialogue: 0,0:03:12.76,0:03:15.24,Default,,0000,0000,0000,,Remember after the Foundation Stage
Dialogue: 0,0:03:15.24,0:03:18.34,Default,,0000,0000,0000,,you probably want to start doing \Nthe exercise called the Finger Gym
Dialogue: 0,0:03:18.34,0:03:20.16,Default,,0000,0000,0000,,which is a real hardcore workout \N
Dialogue: 0,0:03:20.16,0:03:21.88,Default,,0000,0000,0000,,using hammer-ons and flickoffs.
Dialogue: 0,0:03:21.88,0:03:24.47,Default,,0000,0000,0000,,We've then got your Rhythm Guitar,
Dialogue: 0,0:03:24.47,0:03:26.27,Default,,0000,0000,0000,,so you're working on your chips,
Dialogue: 0,0:03:26.27,0:03:29.48,Default,,0000,0000,0000,,spreads, splangs \Nand your muted strumming.
Dialogue: 0,0:03:29.48,0:03:30.72,Default,,0000,0000,0000,,Really, really good fun.
Dialogue: 0,0:03:30.72,0:03:33.40,Default,,0000,0000,0000,,A very important part of your \NRhythm Guitar development\N
Dialogue: 0,0:03:33.40,0:03:35.91,Default,,0000,0000,0000,,is incorporating that stuff into tunes.
Dialogue: 0,0:03:35.91,0:03:37.99,Default,,0000,0000,0000,,So when it comes to practicing songs later,
Dialogue: 0,0:03:37.99,0:03:41.60,Default,,0000,0000,0000,,don't forget to start using those things \Nin the real world.
Dialogue: 0,0:03:41.60,0:03:45.42,Default,,0000,0000,0000,,We've also got now 5 minutes \Non the Major Pentatonic.
Dialogue: 0,0:03:45.42,0:03:48.20,Default,,0000,0000,0000,,Now, we're gonna be covering that more \Nin future lessons.
Dialogue: 0,0:03:48.20,0:03:51.10,Default,,0000,0000,0000,,But for now, \Njust have a bit of a muck around, \N
Dialogue: 0,0:03:51.10,0:03:52.90,Default,,0000,0000,0000,,see if you can make sense of it,
Dialogue: 0,0:03:52.90,0:03:54.56,Default,,0000,0000,0000,,get used to what it sounds like,
Dialogue: 0,0:03:54.56,0:03:57.79,Default,,0000,0000,0000,,and do a little bit of improvising \Nusing that scale,
Dialogue: 0,0:03:57.79,0:04:00.45,Default,,0000,0000,0000,,because that's probably the best way \Nto get it into your system.
Dialogue: 0,0:04:00.45,0:04:03.48,Default,,0000,0000,0000,,The last thing we've got is \N10 minutes of repertoire.
Dialogue: 0,0:04:03.48,0:04:05.41,Default,,0000,0000,0000,,So learning some new songs
Dialogue: 0,0:04:05.41,0:04:07.99,Default,,0000,0000,0000,,that are incorporating the techniques \Nthat we've been doing.
Dialogue: 0,0:04:07.99,0:04:10.12,Default,,0000,0000,0000,,Maybe some stuff that uses the pick fingerstyle,
Dialogue: 0,0:04:10.12,0:04:14.19,Default,,0000,0000,0000,,or that uses chips or splangs or spreads \Nor whatever you like.
Dialogue: 0,0:04:14.19,0:04:17.94,Default,,0000,0000,0000,,But really making sure \Nthat you learn new songs for every stage.
Dialogue: 0,0:04:17.94,0:04:22.16,Default,,0000,0000,0000,,And that's it. \NThat's your practice routine for Foundation Five.
Dialogue: 0,0:04:22.16,0:04:25.24,Default,,0000,0000,0000,,There's only one lesson left which is Consolidation,
Dialogue: 0,0:04:25.24,0:04:29.35,Default,,0000,0000,0000,,but make sure you spend a bit of time \Ngetting all of these new things under your fingers
Dialogue: 0,0:04:29.35,0:04:31.56,Default,,0000,0000,0000,,before you work on your Consolidation.
Dialogue: 0,0:04:31.56,0:04:34.06,Default,,0000,0000,0000,,Take care. See you for another lesson very soon.
Dialogue: 0,0:04:34.06,0:04:38.06,Default,,0000,0000,0000,,Bye Bye.