[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:23.45,0:00:25.19,Default,,0000,0000,0000,,Hi, how are you doing? Justin here.
Dialogue: 0,0:00:25.19,0:00:28.29,Default,,0000,0000,0000,,In today's lesson we are going to be\Ntalking about a thing called
Dialogue: 0,0:00:28.29,0:00:29.78,Default,,0000,0000,0000,,Legato Patterns.
Dialogue: 0,0:00:30.59,0:00:33.98,Default,,0000,0000,0000,,What these are little ways of using\Nhammer-ons and flick-offs
Dialogue: 0,0:00:33.98,0:00:38.88,Default,,0000,0000,0000,,to give you really nice, fairly easy\Nto make fast, repeatable figures.
Dialogue: 0,0:00:38.89,0:00:41.94,Default,,0000,0000,0000,,All of the ones we are going to be\Nlooking at to start off with
Dialogue: 0,0:00:41.94,0:00:43.75,Default,,0000,0000,0000,,have got eight notes in them.
Dialogue: 0,0:00:43.75,0:00:48.61,Default,,0000,0000,0000,,It's two beats, with each beat divided\Ninto four notes - 16 notes.
Dialogue: 0,0:00:49.29,0:00:54.04,Default,,0000,0000,0000,,We are going to look at\None pattern to start off with
Dialogue: 0,0:00:54.04,0:00:56.13,Default,,0000,0000,0000,,and then we are going\Nto apply that pattern
Dialogue: 0,0:00:56.13,0:00:59.35,Default,,0000,0000,0000,,and use it both horizontally,\Nto move up and down the neck,
Dialogue: 0,0:00:59.35,0:01:01.81,Default,,0000,0000,0000,,and vertically, to move across patterns.
Dialogue: 0,0:01:01.81,0:01:04.06,Default,,0000,0000,0000,,It's really important that you understand
Dialogue: 0,0:01:04.06,0:01:07.09,Default,,0000,0000,0000,,that this one little idea here\Nworks in both directions.
Dialogue: 0,0:01:07.09,0:01:08.79,Default,,0000,0000,0000,,It works through any pattern,
Dialogue: 0,0:01:08.79,0:01:10.15,Default,,0000,0000,0000,,any pentatonic shape.
Dialogue: 0,0:01:10.15,0:01:13.56,Default,,0000,0000,0000,,Sometimes they are a bit harder\Nthan others to use.
Dialogue: 0,0:01:13.56,0:01:17.46,Default,,0000,0000,0000,,Some patterns work good on one shape,\Nnot so well on another.
Dialogue: 0,0:01:17.46,0:01:19.50,Default,,0000,0000,0000,,It's up to you to explore that a bit.
Dialogue: 0,0:01:19.50,0:01:22.66,Default,,0000,0000,0000,,I'm not going to show you\Nevery way of playing the patterns.
Dialogue: 0,0:01:23.66,0:01:27.22,Default,,0000,0000,0000,,If I give you a bit of a demo\Nof one of them.
Dialogue: 0,0:01:27.22,0:01:29.31,Default,,0000,0000,0000,,One of the patterns\Nwe are going to look at,
Dialogue: 0,0:01:29.31,0:01:31.21,Default,,0000,0000,0000,,is pattern 2 on my tab sheet,
Dialogue: 0,0:01:31.21,0:01:33.35,Default,,0000,0000,0000,,if you go to the website\Nand download that.
Dialogue: 0,0:01:34.08,0:01:36.46,Default,,0000,0000,0000,,The actual pattern is this -
Dialogue: 0,0:01:39.59,0:01:41.41,Default,,0000,0000,0000,,But slowed down a little bit is -
Dialogue: 0,0:01:44.13,0:01:45.93,Default,,0000,0000,0000,,That's the pattern, just eight notes.
Dialogue: 0,0:01:48.87,0:01:52.34,Default,,0000,0000,0000,,It's important to realise that\Nthat pattern can be used to go
Dialogue: 0,0:01:52.34,0:01:54.87,Default,,0000,0000,0000,,up the neck or across the neck.
Dialogue: 0,0:01:54.87,0:01:57.25,Default,,0000,0000,0000,,If we start here,\Nmove the same pattern again...
Dialogue: 0,0:02:00.69,0:02:02.72,Default,,0000,0000,0000,,It's the same shape, if you like,
Dialogue: 0,0:02:02.72,0:02:04.20,Default,,0000,0000,0000,,of pick, flick-off,
Dialogue: 0,0:02:04.94,0:02:06.65,Default,,0000,0000,0000,,pick, pick,
Dialogue: 0,0:02:06.65,0:02:07.96,Default,,0000,0000,0000,,hammer-on,
Dialogue: 0,0:02:07.96,0:02:09.44,Default,,0000,0000,0000,,pick, pick,
Dialogue: 0,0:02:09.44,0:02:10.64,Default,,0000,0000,0000,,flick-off.
Dialogue: 0,0:02:10.64,0:02:11.86,Default,,0000,0000,0000,,That's the pattern.
Dialogue: 0,0:02:15.30,0:02:16.88,Default,,0000,0000,0000,,Same pattern as here.
Dialogue: 0,0:02:19.62,0:02:21.72,Default,,0000,0000,0000,,But we could move that one\Nover the string.
Dialogue: 0,0:02:27.82,0:02:29.49,Default,,0000,0000,0000,,And we've got a pretty cool lick.
Dialogue: 0,0:02:33.07,0:02:38.18,Default,,0000,0000,0000,,We could also use that same shape,\Nsame pattern to move up the neck
Dialogue: 0,0:02:38.18,0:02:39.78,Default,,0000,0000,0000,,by moving it from say...
Dialogue: 0,0:02:39.78,0:02:41.34,Default,,0000,0000,0000,,In this example I'm going to use
Dialogue: 0,0:02:41.34,0:02:44.80,Default,,0000,0000,0000,,box 2, box 3, box 4, box 5\Nof the pentatonic.
Dialogue: 0,0:02:44.80,0:02:45.100,Default,,0000,0000,0000,,So you end up with -
Dialogue: 0,0:02:54.80,0:02:56.91,Default,,0000,0000,0000,,I've just taken that little pattern
Dialogue: 0,0:02:56.91,0:03:00.46,Default,,0000,0000,0000,,and moved it up through each\Nof the minor pentatonic shapes.
Dialogue: 0,0:03:01.50,0:03:04.85,Default,,0000,0000,0000,,Let's get a close up and check out\Nthat particular pattern,
Dialogue: 0,0:03:04.85,0:03:07.39,Default,,0000,0000,0000,,make sure you are doing it right\Nand then I'll explain
Dialogue: 0,0:03:07.39,0:03:10.21,Default,,0000,0000,0000,,how to move it round\Nbetween the different boxes.
Dialogue: 0,0:03:11.39,0:03:14.50,Default,,0000,0000,0000,,Let's have a look at that\Nlittle pattern now, nice and slow.
Dialogue: 0,0:03:14.52,0:03:17.17,Default,,0000,0000,0000,,This is pattern 2 on my tab sheet.
Dialogue: 0,0:03:27.24,0:03:28.70,Default,,0000,0000,0000,,So literally pick,
Dialogue: 0,0:03:29.11,0:03:31.32,Default,,0000,0000,0000,,flick, kick,
Dialogue: 0,0:03:31.76,0:03:33.73,Default,,0000,0000,0000,,pick, hammer-on,
Dialogue: 0,0:03:34.05,0:03:35.89,Default,,0000,0000,0000,,pick, pick,
Dialogue: 0,0:03:36.16,0:03:37.39,Default,,0000,0000,0000,,flick-off.
Dialogue: 0,0:03:50.34,0:03:53.78,Default,,0000,0000,0000,,You really have to practice that\Nreally slowly for a while first.
Dialogue: 0,0:03:58.71,0:04:02.01,Default,,0000,0000,0000,,But slowly and smoothly so you can\Nrepeat it over again.
Dialogue: 0,0:04:02.01,0:04:03.13,Default,,0000,0000,0000,,You don't want to go -
Dialogue: 0,0:04:05.88,0:04:07.43,Default,,0000,0000,0000,,That would be really bad.
Dialogue: 0,0:04:07.43,0:04:09.90,Default,,0000,0000,0000,,Doesn't matter the speed,\Nit can be -
Dialogue: 0,0:04:15.90,0:04:17.42,Default,,0000,0000,0000,,Doesn't really matter.
Dialogue: 0,0:04:17.42,0:04:20.14,Default,,0000,0000,0000,,It's just about\Ngetting it right and smooth.
Dialogue: 0,0:04:20.14,0:04:21.80,Default,,0000,0000,0000,,Eventually, of course...
Dialogue: 0,0:04:27.08,0:04:30.10,Default,,0000,0000,0000,,It's important to realise here\Nthat this is part of...
Dialogue: 0,0:04:32.26,0:04:33.69,Default,,0000,0000,0000,,..that minor pentatonic.
Dialogue: 0,0:04:36.07,0:04:38.35,Default,,0000,0000,0000,,But the pattern is what\Nyou want to be learning.
Dialogue: 0,0:04:38.35,0:04:39.18,Default,,0000,0000,0000,,The pick,
Dialogue: 0,0:04:39.18,0:04:40.38,Default,,0000,0000,0000,,flick, pick,
Dialogue: 0,0:04:40.38,0:04:41.51,Default,,0000,0000,0000,,pick, hammer-on,
Dialogue: 0,0:04:41.52,0:04:42.88,Default,,0000,0000,0000,,pick, pick,
Dialogue: 0,0:04:42.89,0:04:44.36,Default,,0000,0000,0000,,flick-off.
Dialogue: 0,0:04:44.36,0:04:46.15,Default,,0000,0000,0000,,If we just take it down, for example,
Dialogue: 0,0:04:46.15,0:04:48.45,Default,,0000,0000,0000,,it's quite easy to move it now\Ninto box 1.
Dialogue: 0,0:04:50.50,0:04:51.59,Default,,0000,0000,0000,,Minor pentatonic.
Dialogue: 0,0:04:51.59,0:04:53.74,Default,,0000,0000,0000,,I chose that one because it's simple
Dialogue: 0,0:04:53.74,0:04:55.58,Default,,0000,0000,0000,,and the fingers are not stretched out.
Dialogue: 0,0:04:55.58,0:04:57.40,Default,,0000,0000,0000,,But here, the same pattern just works.
Dialogue: 0,0:04:57.40,0:04:58.71,Default,,0000,0000,0000,,Pick, flick,
Dialogue: 0,0:04:58.71,0:05:00.09,Default,,0000,0000,0000,,pick, pick,
Dialogue: 0,0:05:00.09,0:05:01.58,Default,,0000,0000,0000,,hammer-on, pick,
Dialogue: 0,0:05:01.58,0:05:03.20,Default,,0000,0000,0000,,pick, flick-off.
Dialogue: 0,0:05:10.69,0:05:13.02,Default,,0000,0000,0000,,That works really, really well.
Dialogue: 0,0:05:13.02,0:05:17.06,Default,,0000,0000,0000,,There would be no harm in\Nmoving from one to the next.
Dialogue: 0,0:05:28.47,0:05:30.19,Default,,0000,0000,0000,,You can muck around with it.
Dialogue: 0,0:05:30.19,0:05:34.13,Default,,0000,0000,0000,,If you are familiar with box 3\Nminor pentatonic...
Dialogue: 0,0:05:36.91,0:05:38.24,Default,,0000,0000,0000,,..you could apply it here.
Dialogue: 0,0:05:43.99,0:05:45.67,Default,,0000,0000,0000,,This one is 13, 10,
Dialogue: 0,0:05:45.67,0:05:47.34,Default,,0000,0000,0000,,12, 10,
Dialogue: 0,0:05:47.34,0:05:48.62,Default,,0000,0000,0000,,13,10
Dialogue: 0,0:05:48.62,0:05:50.48,Default,,0000,0000,0000,,13,10.
Dialogue: 0,0:05:56.16,0:05:57.94,Default,,0000,0000,0000,,The next one moved up here will be
Dialogue: 0,0:05:57.94,0:05:59.11,Default,,0000,0000,0000,,15, 13
Dialogue: 0,0:05:59.83,0:06:01.80,Default,,0000,0000,0000,,14, 13
Dialogue: 0,0:06:02.14,0:06:03.93,Default,,0000,0000,0000,,15, 12,
Dialogue: 0,0:06:05.42,0:06:06.83,Default,,0000,0000,0000,,15,13.
Dialogue: 0,0:06:13.54,0:06:16.57,Default,,0000,0000,0000,,A little bit harder because\Nthe first finger needs to shift back
Dialogue: 0,0:06:16.57,0:06:17.83,Default,,0000,0000,0000,,but again it's just...
Dialogue: 0,0:06:19.12,0:06:20.99,Default,,0000,0000,0000,,..from that minor pentatonic shape.
Dialogue: 0,0:06:21.59,0:06:24.50,Default,,0000,0000,0000,,Again moves up into box 5.
Dialogue: 0,0:06:29.64,0:06:31.49,Default,,0000,0000,0000,,And of course, the same pattern...
Dialogue: 0,0:06:37.95,0:06:39.91,Default,,0000,0000,0000,,If you are going to do that last bend
Dialogue: 0,0:06:39.91,0:06:42.52,Default,,0000,0000,0000,,it needs to be tone and a half -\Nit's a tough one.
Dialogue: 0,0:06:42.52,0:06:44.13,Default,,0000,0000,0000,,But hopefully you get the idea.
Dialogue: 0,0:06:44.31,0:06:45.99,Default,,0000,0000,0000,,The next thing you want to do
Dialogue: 0,0:06:45.99,0:06:48.27,Default,,0000,0000,0000,,is take that one pattern\NI have shown you
Dialogue: 0,0:06:48.27,0:06:50.30,Default,,0000,0000,0000,,and apply it all over the fingerboard.
Dialogue: 0,0:06:50.30,0:06:52.78,Default,,0000,0000,0000,,Learn it really slowly,\Nlet it become instinctive.
Dialogue: 0,0:06:52.80,0:06:54.70,Default,,0000,0000,0000,,Get it comfortable under your fingers,
Dialogue: 0,0:06:54.70,0:06:58.48,Default,,0000,0000,0000,,then try moving it horizontally\Nup and down the fingerboard,
Dialogue: 0,0:06:58.48,0:07:01.82,Default,,0000,0000,0000,,changing between the different boxes\Nand get that under your fingers.
Dialogue: 0,0:07:01.82,0:07:04.01,Default,,0000,0000,0000,,Maybe try and use it vertically
Dialogue: 0,0:07:04.02,0:07:07.62,Default,,0000,0000,0000,,and stay within the one box shape\Nor the one position
Dialogue: 0,0:07:07.62,0:07:09.85,Default,,0000,0000,0000,,and explore how you can use it there.
Dialogue: 0,0:07:09.85,0:07:12.77,Default,,0000,0000,0000,,Then try and mix it up a little bit\Nand move maybe
Dialogue: 0,0:07:12.77,0:07:15.27,Default,,0000,0000,0000,,one position over, toward the ground
Dialogue: 0,0:07:15.27,0:07:17.20,Default,,0000,0000,0000,,and then one position up and then over
Dialogue: 0,0:07:17.20,0:07:18.68,Default,,0000,0000,0000,,and then up or whatever.
Dialogue: 0,0:07:18.70,0:07:21.06,Default,,0000,0000,0000,,Your creativity is the limit here.
Dialogue: 0,0:07:21.09,0:07:24.27,Default,,0000,0000,0000,,You should be experimenting\Nas much as you can.
Dialogue: 0,0:07:25.54,0:07:30.45,Default,,0000,0000,0000,,Next stop, we've got a whole bunch\Nof different legato patterns.
Dialogue: 0,0:07:30.45,0:07:32.94,Default,,0000,0000,0000,,You don't have to just use\Nthat one I've shown you.
Dialogue: 0,0:07:32.94,0:07:34.98,Default,,0000,0000,0000,,There are probably an infinite number.
Dialogue: 0,0:07:35.01,0:07:38.89,Default,,0000,0000,0000,,I've got six together\Nthat I think work real well.
Dialogue: 0,0:07:39.95,0:07:42.73,Default,,0000,0000,0000,,You can download the tab from the website,
Dialogue: 0,0:07:42.73,0:07:45.72,Default,,0000,0000,0000,,which you will probably find\Npretty helpful to check that out.
Dialogue: 0,0:07:45.72,0:07:49.18,Default,,0000,0000,0000,,I am going to do a close-up now\Nof each pattern.
Dialogue: 0,0:07:49.24,0:07:51.10,Default,,0000,0000,0000,,This is pattern 1.
Dialogue: 0,0:08:06.56,0:08:08.18,Default,,0000,0000,0000,,Here is pattern 3.
Dialogue: 0,0:08:16.84,0:08:18.24,Default,,0000,0000,0000,,Pattern 4.
Dialogue: 0,0:08:29.81,0:08:31.34,Default,,0000,0000,0000,,Pattern 5.
Dialogue: 0,0:08:43.63,0:08:47.04,Default,,0000,0000,0000,,And lastly, pattern 6,\Nwhich is in groups of 6.
Dialogue: 0,0:08:55.81,0:08:57.03,Default,,0000,0000,0000,,This one, of course.
Dialogue: 0,0:08:57.03,0:08:59.58,Default,,0000,0000,0000,,One, two, three, four, five, six.
Dialogue: 0,0:08:59.58,0:09:02.65,Default,,0000,0000,0000,,One, two, three, four, five, six.
Dialogue: 0,0:09:12.96,0:09:15.72,Default,,0000,0000,0000,,Now you have got loads\Nand loads of patterns
Dialogue: 0,0:09:15.72,0:09:17.30,Default,,0000,0000,0000,,to be getting on with.
Dialogue: 0,0:09:17.30,0:09:19.96,Default,,0000,0000,0000,,Remember, you don't have to stick\Nto using the one pattern.
Dialogue: 0,0:09:19.96,0:09:22.10,Default,,0000,0000,0000,,You can mix them up,\Nuse a bit of one pattern,
Dialogue: 0,0:09:22.10,0:09:24.48,Default,,0000,0000,0000,,a bit of the next one\Nand a bit of the next one.
Dialogue: 0,0:09:24.48,0:09:29.02,Default,,0000,0000,0000,,Finding which patterns work well\Nwithin what boxes
Dialogue: 0,0:09:29.02,0:09:31.47,Default,,0000,0000,0000,,of the pentatonic scale\Nis probably a good idea.
Dialogue: 0,0:09:32.21,0:09:33.58,Default,,0000,0000,0000,,As I mentioned earlier,
Dialogue: 0,0:09:33.59,0:09:36.34,Default,,0000,0000,0000,,you can also apply this to scales\Nthat are not pentatonic.
Dialogue: 0,0:09:36.34,0:09:38.65,Default,,0000,0000,0000,,You can muck around\Nwith bits of the major scale.
Dialogue: 0,0:09:38.65,0:09:42.20,Default,,0000,0000,0000,,It's really the pattern\Nthat you try to get to grips with.
Dialogue: 0,0:09:42.20,0:09:45.67,Default,,0000,0000,0000,,You being the creative force now
Dialogue: 0,0:09:45.67,0:09:48.39,Default,,0000,0000,0000,,to find loads and loads\Nof different ways of using it.
Dialogue: 0,0:09:48.39,0:09:51.63,Default,,0000,0000,0000,,There are infinite possibilities here.
Dialogue: 0,0:09:51.63,0:09:54.66,Default,,0000,0000,0000,,Hope you have a bit of fun with that
Dialogue: 0,0:09:54.66,0:09:56.54,Default,,0000,0000,0000,,and exploring this concept.
Dialogue: 0,0:09:56.54,0:09:58.93,Default,,0000,0000,0000,,It should keep you busy for some time.
Dialogue: 0,0:09:58.93,0:10:02.52,Default,,0000,0000,0000,,It's something I still play about with\Nbecause I find it really interesting
Dialogue: 0,0:10:02.52,0:10:05.18,Default,,0000,0000,0000,,to find and make up new patterns
Dialogue: 0,0:10:05.18,0:10:07.56,Default,,0000,0000,0000,,and see what other ways I can apply them.
Dialogue: 0,0:10:07.56,0:10:10.99,Default,,0000,0000,0000,,Hope you have a bit of fun with that\Nand I'll see you for another lesson
Dialogue: 0,0:10:10.99,0:10:12.32,Default,,0000,0000,0000,,sometime real soon.
Dialogue: 0,0:10:12.33,0:10:14.16,Default,,0000,0000,0000,,Take care of yourselves, bye-bye.