[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:10.99,0:00:14.50,Default,,0000,0000,0000,,And here we are for Part 4, \NI haven't even moved yet. Dialogue: 0,0:00:14.50,0:00:17.89,Default,,0000,0000,0000,,So in this one we're looking \Nat A shaped barre chords. Dialogue: 0,0:00:17.89,0:00:20.69,Default,,0000,0000,0000,,And we're going to be \Nlooking at the Minor version, Dialogue: 0,0:00:20.69,0:00:24.27,Default,,0000,0000,0000,,The Dominant 7 version, \Nand the Minor 7 version. Dialogue: 0,0:00:24.27,0:00:29.57,Default,,0000,0000,0000,,So, I think without further ado I'm going to get ready for a closeup. Dialogue: 0,0:00:29.57,0:00:31.66,Default,,0000,0000,0000,,See you in a sec. Dialogue: 0,0:00:31.66,0:00:34.32,Default,,0000,0000,0000,,So here we are now, this is \Nthe 3rd fret we're on. Dialogue: 0,0:00:34.32,0:00:37.85,Default,,0000,0000,0000,,And this is, this would be our C \Nchord, our C barre chord. Dialogue: 0,0:00:37.85,0:00:39.72,Default,,0000,0000,0000,,Again, remembering all \Nof the way through this, Dialogue: 0,0:00:39.72,0:00:41.57,Default,,0000,0000,0000,,If I tuck that finger \Naway, you shouldn't do that, Dialogue: 0,0:00:41.57,0:00:44.22,Default,,0000,0000,0000,,I'm just doing that to make it clear for \Nyou what the chord is. Dialogue: 0,0:00:44.22,0:00:46.73,Default,,0000,0000,0000,,So, there's your, the good old C chord. Dialogue: 0,0:00:46.73,0:00:49.60,Default,,0000,0000,0000,,Now if we want to make it a C Minor chord, Dialogue: 0,0:00:49.60,0:00:52.98,Default,,0000,0000,0000,,if we think back to what we did with \Nlike our regular A chord, Dialogue: 0,0:00:52.98,0:00:54.63,Default,,0000,0000,0000,,There was our A Chord. Dialogue: 0,0:00:54.63,0:00:58.06,Default,,0000,0000,0000,,Am chord, looked like that, it's \Nkind of like E chord isn't it? Dialogue: 0,0:00:58.06,0:00:59.70,Default,,0000,0000,0000,,But on the wrong strings. Dialogue: 0,0:00:59.70,0:01:04.98,Default,,0000,0000,0000,,So funnily enough, Cm shape is also. Dialogue: 0,0:01:04.98,0:01:08.89,Default,,0000,0000,0000,,If we had a G barre chord \Nwith the 6th string group, Dialogue: 0,0:01:08.89,0:01:12.94,Default,,0000,0000,0000,,Remember we did that \Nin mastering barre chords 1. Dialogue: 0,0:01:12.94,0:01:16.21,Default,,0000,0000,0000,,Give me a G chord at the 3rd \Nfret, if we move everything down a string, Dialogue: 0,0:01:16.21,0:01:20.73,Default,,0000,0000,0000,,we end up with Cm. Dialogue: 0,0:01:20.73,0:01:24.88,Default,,0000,0000,0000,,Now this might seem a little confusing, the fact that this was a Major shape here, Dialogue: 0,0:01:24.88,0:01:26.53,Default,,0000,0000,0000,,and a minor shape on these strings. Dialogue: 0,0:01:26.53,0:01:30.60,Default,,0000,0000,0000,,But I'm assuming you never got \NE chord and Am chord mixed up. Dialogue: 0,0:01:30.60,0:01:32.97,Default,,0000,0000,0000,,They're the same \Nshape on different strings. Dialogue: 0,0:01:32.97,0:01:35.55,Default,,0000,0000,0000,,So all you have to do is \Nremember what string the Root note is on. Dialogue: 0,0:01:35.55,0:01:40.38,Default,,0000,0000,0000,,With our E shape, like G Major chord, \Nthe Root note is here on the 6th string. Dialogue: 0,0:01:40.38,0:01:43.41,Default,,0000,0000,0000,,But now that we're working \Nfrom the 5th string Root, Dialogue: 0,0:01:43.41,0:01:48.36,Default,,0000,0000,0000,,that same, or very \Nsimilar shape, looks, or sounds, Dialogue: 0,0:01:48.36,0:01:51.16,Default,,0000,0000,0000,,rather, looks and sounds \Nand is, a Minor chord. Dialogue: 0,0:01:51.16,0:01:55.37,Default,,0000,0000,0000,,This one, we've got 1st finger \Nnow doing the whole barre thing, Dialogue: 0,0:01:55.37,0:01:57.35,Default,,0000,0000,0000,,so it's barring right the way down, Dialogue: 0,0:01:57.35,0:02:00.01,Default,,0000,0000,0000,,cause it also needs to hold \Ndown the thinnest string as well, Dialogue: 0,0:02:00.01,0:02:02.37,Default,,0000,0000,0000,,We've got 3rd finger here, \Nthis is on the 5th fret. Dialogue: 0,0:02:02.37,0:02:05.47,Default,,0000,0000,0000,,It's on the 3rd fret, \N5th fret, 5th fret again, Dialogue: 0,0:02:05.47,0:02:08.85,Default,,0000,0000,0000,,this is the 2nd finger here, \Npressing down on the 4th fret, Dialogue: 0,0:02:08.85,0:02:13.05,Default,,0000,0000,0000,,and 1st finger is playing also \Nthe thinnest string up there as well. Dialogue: 0,0:02:13.05,0:02:17.63,Default,,0000,0000,0000,,And of course our 1st finger \Nis still muting that 6th string. Dialogue: 0,0:02:17.63,0:02:19.93,Default,,0000,0000,0000,,'Cause we don't want \Nthat, if say for example, Dialogue: 0,0:02:19.93,0:02:24.51,Default,,0000,0000,0000,,this Cm chord, if we \Nforget to mute that 6th string, Dialogue: 0,0:02:24.51,0:02:28.35,Default,,0000,0000,0000,,I mean it just sounds really rank, Dialogue: 0,0:02:28.35,0:02:32.92,Default,,0000,0000,0000,,make sure you're getting the tip \Nof that finger there muting that chord. Dialogue: 0,0:02:32.92,0:02:35.82,Default,,0000,0000,0000,,Muting that note rather not the chord. Dialogue: 0,0:02:35.82,0:02:37.93,Default,,0000,0000,0000,,Really, really important. Dialogue: 0,0:02:37.93,0:02:39.52,Default,,0000,0000,0000,,Ok so that's Cm. Dialogue: 0,0:02:39.52,0:02:43.56,Default,,0000,0000,0000,,So we had C Major,which is the \None that everybody struggles with a little bit. Dialogue: 0,0:02:43.56,0:02:46.41,Default,,0000,0000,0000,,So if you're falling into \Nthat category, be cool with that. Dialogue: 0,0:02:46.41,0:02:49.28,Default,,0000,0000,0000,,You know, it is a hard chord. Dialogue: 0,0:02:49.28,0:02:54.28,Default,,0000,0000,0000,,And then, we've got the Cm. Dialogue: 0,0:02:54.28,0:03:02.14,Default,,0000,0000,0000,,Now to get to Cm7 is quite a nice \None, all we do is lift off our little finger. Dialogue: 0,0:03:02.14,0:03:03.20,Default,,0000,0000,0000,,Very nice little chord. Dialogue: 0,0:03:03.20,0:03:07.54,Default,,0000,0000,0000,,So this is now,1st fingers playing \Nthe Root note here at the 5th string, Dialogue: 0,0:03:07.54,0:03:10.82,Default,,0000,0000,0000,,and muting the 6th string, I \Nkeep repeating that because it's really important. Dialogue: 0,0:03:10.82,0:03:12.54,Default,,0000,0000,0000,,3rd finger in the 5th fret, Dialogue: 0,0:03:12.54,0:03:16.46,Default,,0000,0000,0000,,then on the 3rd string, we're \Nplaying that note with our 1st finger, Dialogue: 0,0:03:16.46,0:03:20.58,Default,,0000,0000,0000,,2nd finger is playing the 4th fret, \Nwhere it was before for the minor. Dialogue: 0,0:03:20.58,0:03:24.74,Default,,0000,0000,0000,,And we're using the barre \Nto play the thinnest string there, Dialogue: 0,0:03:24.74,0:03:27.73,Default,,0000,0000,0000,,also on the 3rd fret. So \Nit should be muted 6th string, Dialogue: 0,0:03:27.73,0:03:35.52,Default,,0000,0000,0000,,Now remember those things about keeping your finger a little bit rolled on to the side. Dialogue: 0,0:03:35.52,0:03:37.63,Default,,0000,0000,0000,,It's really helpful. Dialogue: 0,0:03:37.63,0:03:40.04,Default,,0000,0000,0000,,Remember it's not flat like \Nthis, it's slightly onto the side. Dialogue: 0,0:03:40.04,0:03:45.60,Default,,0000,0000,0000,,And also remember that this note here on the \N3rd string is gonna be the hardest one to get. Dialogue: 0,0:03:45.60,0:03:47.45,Default,,0000,0000,0000,,So that you might need \Nto make sure that you're pressing Dialogue: 0,0:03:47.45,0:03:51.14,Default,,0000,0000,0000,,down quite nice and hard in order \Nto get that note to ring out. Dialogue: 0,0:03:51.14,0:03:55.72,Default,,0000,0000,0000,,Now the last one from my little \Nseries of looking at the 4 different types, Dialogue: 0,0:03:55.72,0:03:58.20,Default,,0000,0000,0000,,is this one here, \Nagain that finger's normally there, Dialogue: 0,0:03:58.20,0:04:00.01,Default,,0000,0000,0000,,I'm just tucking it down \Nhere to make it clear. Dialogue: 0,0:04:00.01,0:04:02.22,Default,,0000,0000,0000,,You can see now little \Nfinger tucked in underneath there. Dialogue: 0,0:04:02.22,0:04:06.24,Default,,0000,0000,0000,,So this is 1st \Nfinger muting the 6th string, Dialogue: 0,0:04:06.24,0:04:09.35,Default,,0000,0000,0000,,then it's playing the 3rd fret, \N3rd finger on the 5th fret, Dialogue: 0,0:04:09.35,0:04:13.67,Default,,0000,0000,0000,,1st finger will again be playing the \N3rd fret there on the 3rd string. Dialogue: 0,0:04:13.67,0:04:15.81,Default,,0000,0000,0000,,Little finger down on the 5th fret, Dialogue: 0,0:04:15.81,0:04:20.70,Default,,0000,0000,0000,,and the barre will be playing \Nthe 3rd fret on the thinnest string. Dialogue: 0,0:04:20.70,0:04:24.50,Default,,0000,0000,0000,,That's your classic \Nkind of Blues chord. Dialogue: 0,0:04:24.50,0:04:32.42,Default,,0000,0000,0000,,So we have Major, remembering \Nto keep that knuckle forward, Dialogue: 0,0:04:32.42,0:04:36.45,Default,,0000,0000,0000,,that's the most important \Npart of that. Major, minor, Dialogue: 0,0:04:36.45,0:04:47.08,Default,,0000,0000,0000,,minor7, lift off little \Nfinger as well, and 7, Dialogue: 0,0:04:47.08,0:04:50.91,Default,,0000,0000,0000,,where little finger goes down. So \Nthese two are kind of split, Dialogue: 0,0:04:50.91,0:04:54.51,Default,,0000,0000,0000,,there's a string in the middle of \Nthem, going right the way through there. Dialogue: 0,0:04:54.51,0:04:58.90,Default,,0000,0000,0000,,That's the 7. Dialogue: 0,0:04:58.90,0:05:02.59,Default,,0000,0000,0000,,So they're your 4 types of A \Nshape barre chord that you want to learn. Dialogue: 0,0:05:02.59,0:05:08.91,Default,,0000,0000,0000,,First Major, minor, minor7 and 7. Dialogue: 0,0:05:08.91,0:05:18.48,Default,,0000,0000,0000,,Mastering these 2 shapes, the \NE shape and the A shape, Dialogue: 0,0:05:18.48,0:05:22.58,Default,,0000,0000,0000,,with the 4 different \Nchord types of each shape, Dialogue: 0,0:05:22.58,0:05:25.22,Default,,0000,0000,0000,,so it's a total of \N8 chords that you've got there. Dialogue: 0,0:05:25.22,0:05:28.88,Default,,0000,0000,0000,,These form the foundation for \Nall of your guitar playing, Dialogue: 0,0:05:28.88,0:05:31.56,Default,,0000,0000,0000,,that you're probably going to do \Nfor the rest of your life. Dialogue: 0,0:05:31.56,0:05:34.99,Default,,0000,0000,0000,,There are 3 other \Nbarre chord shapes, G shape, Dialogue: 0,0:05:34.99,0:05:37.85,Default,,0000,0000,0000,,which is really, really, really \Ndifficult, and hardly ever used. Dialogue: 0,0:05:37.85,0:05:43.20,Default,,0000,0000,0000,,C shape which is moderately difficult, but \Nused a little bit, cause it's kinda useful. Dialogue: 0,0:05:43.20,0:05:47.17,Default,,0000,0000,0000,,And D shape which is used \Nin certain parts of that shape. Dialogue: 0,0:05:47.17,0:05:48.66,Default,,0000,0000,0000,,But very rarely the whole thing. Dialogue: 0,0:05:48.66,0:05:50.64,Default,,0000,0000,0000,,They're quite difficult and quite advanced. Dialogue: 0,0:05:50.64,0:05:52.64,Default,,0000,0000,0000,,I wouldn't of thought that \Nyou'd probably want to learn those, Dialogue: 0,0:05:52.64,0:05:54.81,Default,,0000,0000,0000,,until you'd been playing guitar \Nfor 3 or 4 years. Dialogue: 0,0:05:54.81,0:05:57.90,Default,,0000,0000,0000,,And really, really confident with \Nyour guitar playing in general. Dialogue: 0,0:05:57.90,0:06:02.39,Default,,0000,0000,0000,,And think most of, excuse me, \Nyour stuff like your Jack Johnson, Dialogue: 0,0:06:02.39,0:06:04.29,Default,,0000,0000,0000,,and your Bob Dylan's, whatever \Nit is, these kind of people, Dialogue: 0,0:06:04.29,0:06:05.60,Default,,0000,0000,0000,,if they're playing barre chords, Dialogue: 0,0:06:05.60,0:06:08.93,Default,,0000,0000,0000,,they're definitely going to be \Nplaying E shape and A shape. Dialogue: 0,0:06:08.93,0:06:11.66,Default,,0000,0000,0000,,Very rarely will any of \Nthose other shapes get used. Dialogue: 0,0:06:11.66,0:06:14.29,Default,,0000,0000,0000,,I'd say there's an \Nawful lot of really fine, Dialogue: 0,0:06:14.29,0:06:17.58,Default,,0000,0000,0000,,fine guitar players that don't \Nknow those other three shapes. Dialogue: 0,0:06:17.58,0:06:18.80,Default,,0000,0000,0000,,They're really quite rare. Dialogue: 0,0:06:18.80,0:06:20.97,Default,,0000,0000,0000,,So, the next thing for you \Nto make sure that you do, Dialogue: 0,0:06:20.97,0:06:24.26,Default,,0000,0000,0000,,is really, really \Nnail these chords properly. Dialogue: 0,0:06:24.26,0:06:27.54,Default,,0000,0000,0000,,I highly recommend getting a \Nbook like the Beatles Complete, Dialogue: 0,0:06:27.54,0:06:30.14,Default,,0000,0000,0000,,is the one that \NI recommend the most strongly. Dialogue: 0,0:06:30.14,0:06:32.61,Default,,0000,0000,0000,,Just the Beatles, are \Nan amazing band, amazing songs, Dialogue: 0,0:06:32.61,0:06:34.78,Default,,0000,0000,0000,,and really interesting \Nchords and chord sequences. Dialogue: 0,0:06:34.78,0:06:38.09,Default,,0000,0000,0000,,So, by going through that book, just \Nopen the book to a random song, Dialogue: 0,0:06:38.09,0:06:40.42,Default,,0000,0000,0000,,and try and play it, make sure \Nthat you get all of those chords down. Dialogue: 0,0:06:40.42,0:06:43.27,Default,,0000,0000,0000,,You might come across the \Noccasional chord you don't know, Dialogue: 0,0:06:43.27,0:06:47.58,Default,,0000,0000,0000,,remembering of course that you can \Ndo what's called boiling down chords. Dialogue: 0,0:06:47.58,0:06:51.32,Default,,0000,0000,0000,,Say if you have a G11 \Nyou could just play a G7, Dialogue: 0,0:06:51.32,0:06:57.88,Default,,0000,0000,0000,,if you have a Gm9 you can play a Gm7 \Nor a Gm even if you boil it down enough. Dialogue: 0,0:06:57.88,0:07:02.88,Default,,0000,0000,0000,,So, remember just subtract those notes, \Nfor the time being you could alter, Dialogue: 0,0:07:02.88,0:07:06.42,Default,,0000,0000,0000,,if you see an altered chord, \Nlike a dom7#9 or a #5, Dialogue: 0,0:07:06.42,0:07:08.11,Default,,0000,0000,0000,,you can just ignore it, and just, Dialogue: 0,0:07:08.11,0:07:10.34,Default,,0000,0000,0000,,knock off any of those \Nextensions that you don't know. Dialogue: 0,0:07:10.34,0:07:12.77,Default,,0000,0000,0000,,The most important bit is \Nwhether it's major and minor, Dialogue: 0,0:07:12.77,0:07:14.39,Default,,0000,0000,0000,,and whether it's sharp or flat. Dialogue: 0,0:07:14.39,0:07:18.62,Default,,0000,0000,0000,,Like Gb7 would sound really \Nhorrible if you played G. Dialogue: 0,0:07:18.62,0:07:23.10,Default,,0000,0000,0000,,So the # or b is to \Ndo with the pitch not the chord type. Dialogue: 0,0:07:23.10,0:07:25.75,Default,,0000,0000,0000,,But the chord type can \Nbe muddled down a little bit. Dialogue: 0,0:07:25.75,0:07:28.70,Default,,0000,0000,0000,,There's also for any \Nof you Jack Johnson fans, Dialogue: 0,0:07:28.70,0:07:32.27,Default,,0000,0000,0000,,there's a couple of really, really \Ngood tunes for practicing these chords. Dialogue: 0,0:07:32.27,0:07:35.76,Default,,0000,0000,0000,,One I've already got up here \Nwhich is Traffic In the Sky, Dialogue: 0,0:07:35.76,0:07:39.58,Default,,0000,0000,0000,,beautiful, beautiful song for \Nlearning these barre chord shapes. Dialogue: 0,0:07:39.58,0:07:42.62,Default,,0000,0000,0000,,Just cause it, you're picking out \Nthe notes one at a time. Dialogue: 0,0:07:42.62,0:07:45.60,Default,,0000,0000,0000,,So you really have to make sure \Nthat you've got your barre chord down, Dialogue: 0,0:07:45.60,0:07:49.46,Default,,0000,0000,0000,,like properly. And the other one I \Nlike as well for this is Gone. Dialogue: 0,0:07:49.46,0:07:52.19,Default,,0000,0000,0000,,Which is just using E \Nshape and A shape barre chords, Dialogue: 0,0:07:52.19,0:07:54.12,Default,,0000,0000,0000,,with a sweet little picking pattern. Dialogue: 0,0:07:54.12,0:07:57.53,Default,,0000,0000,0000,,I think both of those songs actually \NI've put up here on You Tube already. Dialogue: 0,0:07:57.53,0:08:01.50,Default,,0000,0000,0000,,So you might want to go and check those \Nout after you've practiced up your chord a bit. Dialogue: 0,0:08:01.50,0:08:04.61,Default,,0000,0000,0000,,Don't jump into it, spend a \Nbit of time on the chord. Dialogue: 0,0:08:04.61,0:08:08.18,Default,,0000,0000,0000,,I recommend again just 5 \Nminutes a day with your timer, Dialogue: 0,0:08:08.18,0:08:12.03,Default,,0000,0000,0000,,making sure that you do your \Nproper concentrating 5 minute timer practice, Dialogue: 0,0:08:12.03,0:08:16.78,Default,,0000,0000,0000,,just strum pickout and strum, just like \Nyou should have done with your open chords, Dialogue: 0,0:08:16.78,0:08:20.54,Default,,0000,0000,0000,,to make sure every note is \Nreally clear, barre chords are difficult. Dialogue: 0,0:08:20.54,0:08:24.87,Default,,0000,0000,0000,,Everybody struggles with them, but once you nail 'em the world is your oyster, Dialogue: 0,0:08:24.87,0:08:30.17,Default,,0000,0000,0000,,as far as songs go because there's \Nvery, very few songs that you can't play, Dialogue: 0,0:08:30.17,0:08:33.07,Default,,0000,0000,0000,,with your barre chords so if \Nyou've got your open chords down, Dialogue: 0,0:08:33.07,0:08:35.03,Default,,0000,0000,0000,,and your barre chords down you \Ncan play a bit of rhythm guitar, Dialogue: 0,0:08:35.03,0:08:37.80,Default,,0000,0000,0000,,you're well on your way. \NOK I hope that was helpful. Dialogue: 0,0:08:37.80,0:08:40.95,Default,,0000,0000,0000,,Take care of yourselves, \Nand I'll see you soon. Dialogue: 0,0:08:40.95,0:08:43.79,Default,,0000,0000,0000,,Au revoir.