-
- Editing is a craft that takes
years to learn and perfect
-
and any editor will tell you
that they're still doing it.
-
So the best thing you can
do is just keep at it,
-
keep practicing.
-
- Cut as much as you possibly
can as frequently as possible.
-
Go out and shoot stuff
just so you can cut it.
-
Give yourself a task and give
yourself some constraints
-
and get a smartphone, get some,
-
download some free software
-
or some inexpensive software and just cut.
-
Cut and cut and cut.
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Try things.
-
Try juxtaposing images.
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Try putting music over things.
-
Just feel it out and experiment and don't,
-
say I wanna tell a story
with these three things
-
and then try it or say I don't
care if it makes any sense,
-
I just wanna feel this.
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Just cut.
-
The more you work on your
craft, the better you get at it.
-
- And be tenacious.
-
Tenacious beats talent.
-
In other words, the more you want it,
-
the stronger you go after it.
-
It's more important
than if you're talented.
-
- The more you work on something,
-
the better you feel about it.
-
The more you apply yourself to it,
-
the prouder you are of it
-
and this is the part that
can be hard to remember.
-
The harder the problem is
that you have to solve,
-
the more proud you are
-
of the solution that you come up with.
-
- If you're drawing to get
a job, that's not good.
-
You gotta draw for yourself.
-
You gotta draw sort of based
on your inner feelings.
-
If you're thinking, if I draw this amount,
-
I'm gonna get in Pixar, that doesn't help.
-
You wanna look around and
find the truth around you,
-
find what's funny.
-
If you're in your
basement all day drawing,
-
that's not good either.
-
You need to get out.
-
- Listen and watch and
read other stories too
-
just to immerse yourself in
different kinds of stories.
-
- It's great to watch a lot of movies,
-
think critically about the scenes,
-
see what's working, what's not.
-
When you are watching a movie,
think about how does this,
-
listen to the sounds.
-
Think about how the sound
is helping the storytelling.
-
- Putting yourself outside
of your comfort zone
-
has always benefited me
creatively and personally
-
and it kinda just opens up your mind
-
to different ideas and points of view.
-
- One thing that helped me was
that I was a camp counselor
-
at a summer camp one summer
-
and it got me out of
drawing in my basement
-
and those experiences have
helped my films amazingly.
-
The opening line for Dug in Up
-
is I have just met you and I love you
-
and that's taken from
a kid who ran up to me
-
at summer camp and said,
-
didn't know me, little kid,
you're my counselor, I love you
-
like that
-
and all these things that
you can sorta store up
-
and they come back into
your work all the time.
-
So get out and experience the world
-
but bring your sketchbook.
-
- And the world is changing too.
-
I think a lot of girls are
applying for animation schools.
-
Right now, the enrollment
is about 70% girls
-
in a lot of animation schools.
-
So the landscape's
changing which is awesome
-
and for me, I found a lot of inspiration
-
from a lot of online artists,
lot of online female artists.
-
I think it's not just
the people around you.
-
Now, with the internet,
-
it's like we're connected
with the whole world
-
so you're bound to find a lot
of like-minded people like you
-
anywhere in the world too
-
and it's a great feeling to
feel like you're not alone.
-
Yeah.