WEBVTT 00:00:02.920 --> 00:00:07.980 [MUSIC, melodic piano and guitar throughout...] 00:00:40.240 --> 00:00:43.305 A couple years prior to beginning the project 00:00:43.305 --> 00:00:46.380 i had spent a year in New Jersey 00:00:46.380 --> 00:00:49.258 caring for both my parents, 00:00:49.258 --> 00:00:51.572 my mum has alzheimer's disease 00:00:51.572 --> 00:00:54.033 and during that period 00:00:54.033 --> 00:00:57.005 i made a conscious decision 00:00:57.005 --> 00:00:59.917 not to photograph my family. 00:01:01.603 --> 00:01:05.566 it did though have a big emotional impact on me 00:01:05.566 --> 00:01:07.593 and i knew, somewhere, 00:01:07.593 --> 00:01:10.182 it was gonna emerge in my work. 00:01:11.773 --> 00:01:16.788 About a year after, uh, that time in new jersey, 00:01:16.788 --> 00:01:19.668 i was visiting a relatives property, 00:01:19.668 --> 00:01:24.172 and she had a very old horse 00:01:24.172 --> 00:01:25.473 named Petey. 00:01:25.473 --> 00:01:29.381 i was just fascinated, mesmerized with Petey, 00:01:29.381 --> 00:01:32.759 and, uh, fell in love with him, 00:01:32.759 --> 00:01:36.154 and spent the afternoon photographing him. 00:01:36.154 --> 00:01:40.705 But i didnt think that there was the basis 00:01:40.705 --> 00:01:43.645 of a long term project there. 00:01:43.645 --> 00:01:46.023 i was thinking of it as more therapy, 00:01:46.023 --> 00:01:49.980 it organically developed into a project. 00:01:59.606 --> 00:02:01.288 There have been points when 00:02:01.288 --> 00:02:05.709 i've fought back tears as im shooting. 00:02:05.709 --> 00:02:08.170 Um, the rooster, in particular, 00:02:08.170 --> 00:02:11.506 was just in such a sad state 00:02:11.506 --> 00:02:14.144 when i encountered him. 00:02:16.470 --> 00:02:17.996 i was just feeling 00:02:17.996 --> 00:02:18.930 and not thinking 00:02:18.930 --> 00:02:20.140 when i was with him 00:02:20.140 --> 00:02:22.872 i wanted to make sure that 00:02:22.872 --> 00:02:25.583 i honoured the experience. 00:02:42.795 --> 00:02:48.520 i wanted the images to be unflinching in their detail 00:02:49.808 --> 00:02:54.591 i didnt want there to be any risk of sentimentality 00:02:54.591 --> 00:02:55.883 with the work. 00:02:58.260 --> 00:03:01.650 Because it feels to me disrespectful, uh, 00:03:01.650 --> 00:03:04.967 to who the animal really is. 00:03:06.526 --> 00:03:08.476 In a lot of respects these images 00:03:08.476 --> 00:03:10.380 say as much about me 00:03:10.380 --> 00:03:12.798 as they do about my subjects. 00:03:23.012 --> 00:03:25.334 The caregivers have found a lot of comfort 00:03:25.334 --> 00:03:27.424 in the images, 00:03:27.424 --> 00:03:30.521 particularly after their animals have passed. 00:03:32.857 --> 00:03:36.526 That there is an image that they feel 00:03:36.526 --> 00:03:39.793 has really shown who their animal was. 00:03:42.981 --> 00:03:46.557 i'm looking at mortality, and aging, 00:03:46.557 --> 00:03:49.541 and that's not easy subject material. 00:03:51.271 --> 00:03:54.768 Some of the subjects do seem sad, and tired. 00:03:56.695 --> 00:03:59.421 Some of them are downright defiant, 00:03:59.421 --> 00:04:01.466 and stare down the camera. 00:04:05.876 --> 00:04:07.497 I think these images 00:04:07.497 --> 00:04:12.517 are testaments to survival and endurance, 00:04:12.517 --> 00:04:17.966 and finding meaning and joy in life, 00:04:17.966 --> 00:04:23.138 in the face of physical limitations and challenges.