-
[MUSIC, melodic piano and guitar throughout...]
-
A couple years prior to beginning the project
-
i had spent a year in New Jersey
-
caring for both my parents,
-
my mum has alzheimer's disease
-
and during that period
-
i made a conscious decision
-
not to photograph my family.
-
it did though have a big emotional impact on me
-
and i knew, somewhere,
-
it was gonna emerge in my work.
-
About a year after, uh, that time in new jersey,
-
i was visiting a relatives property,
-
and she had a very old horse
-
named Petey.
-
i was just fascinated, mesmerized with Petey,
-
and, uh, fell in love with him,
-
and spent the afternoon photographing him.
-
But i didnt think that there was the basis
-
of a long term project there.
-
i was thinking of it as more therapy,
-
it organically developed into a project.
-
There have been points when
-
i've fought back tears as im shooting.
-
Um, the rooster, in particular,
-
was just in such a sad state
-
when i encountered him.
-
i was just feeling
-
and not thinking
-
when i was with him
-
i wanted to make sure that
-
i honoured the experience.
-
i wanted the images to be unflinching in their detail
-
i didnt want there to be any risk of sentimentality
-
with the work.
-
Because it feels to me disrespectful, uh,
-
to who the animal really is.
-
In a lot of respects these images
-
say as much about me
-
as they do about my subjects.
-
The caregivers have found a lot of comfort
-
in the images,
-
particularly after their animals have passed.
-
That there is an image that they feel
-
has really shown who their animal was.
-
i'm looking at mortality, and aging,
-
and that's not easy subject material.
-
Some of the subjects do seem sad, and tired.
-
Some of them are downright defiant,
-
and stare down the camera.
-
I think these images
-
are testaments to survival and endurance,
-
and finding meaning and joy in life,
-
in the face of physical limitations and challenges.